↗The quiet presence of a peony
In Hua Yan’s White Peony and Rocks, a pale flower and dark garden rocks invite two different kinds of attention.
Slow down. Look closer. Discover the stories, ideas and people behind Chinese art.
Read the storyARTPEONY JOURNAL 6 STORIESQian Xuan, Wang Xizhi Watching Geese (detail), c. 1295. The Metropolitan Museum of Art ↗
Three ways to begin: follow a landscape, look closely at a line, and meet the artist behind the work.
↗In Hua Yan’s White Peony and Rocks, a pale flower and dark garden rocks invite two different kinds of attention.
↗Zhao Mengfu’s scroll brings stories about Wang Xizhi into a rhythm of strokes, characters and open space.
↗Chen Hongshou makes the distance between a person and a mountain feel larger than the space on the silk.

Follow the movement of a line, the pause between strokes, the meeting of ink and paper. An invitation to look at calligraphy anew.
Read the storyA subject, a gesture, a new perspective. Find your own way in.
Zhao Zhiqian turns the curved field of a fan into an encounter between color, outline and writing.
Zhao Mengfu’s scroll brings stories about Wang Xizhi into a rhythm of strokes, characters and open space.
In Wang Hui’s landscape of 1662, the spaces between the mountains do as much work as the mountains themselves.
In Qian Xuan’s landscape, a calligrapher watching geese becomes a way to explore the relationship between nature and art.